Removed from its original context, the laconic phrase is open to interpretation. It might speak to a multitude of personal or political situations, as well as to the frustration of commuters at the nearby bus stop, and to the imminent reopening of Hayward Gallery after a two-year period of renovation.
The billboard is the fifth in a series of large-scale commissions by international artists, occupying the prominent billboard site next to Hayward Gallery seen by tens of thousands of people crossing Waterloo Bridge every day.
Generously supported by Lizbeth and George Krupp, and the Rennie Foundation.
Like, Man, I’m Tired of Waiting, 2002
Copyright and courtesy of the artist