Storm Damage forgoes the acclaimed twin-guitar approach of its two predecessors, and boldly shifts focus onto – in Watt's words – ‘a future-retro trio’ of upright piano, double bass and hybrid acoustic-electronic drums.
The instruments are set against a half-lit backdrop of lone analogue synths, spiralling echo spins and impressionistic found sounds adapted from online public-domain recording archives.
‘I wanted a timeless-meets-modern live jam – the directness of an adorned trio capturing the spirit; and the samples, synthetics and electronic boom capturing the psychological mood,’ he says. ‘Tight, but allowed to slip its moorings.’
Expect songs, improvisation and stories from across his career as Watt performs with his current band.
Keeley Forsyth’s debut album, Debris, is an intimate document of personal change, featuring songs she describes as ‘blocks of metal that drop from the sky’.
Through her elemental voice, minimal arrangements and haunting lyrics, Forsyth places her harrowing experiences front and centre in her work.
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