James Lavelle's Meltdown

Musical and artistic innovator James Lavelle curate the 21st Meltdown in 2014, following in the footsteps of some of music’s biggest names, including David Bowie, Yoko Ono, Patti Smith and Jarvis Cocker.

Combining creative entrepreneurship with a radical artistic approach, James’ genre-defying portfolio spans music, art, fashion, design and film, and as part of his groundbreaking work with UNKLE, boasts acclaimed musical collaborations with the likes of Queens of the Stone Age, Nick Cave and Thom Yorke.

Collaboration, innovation and a spirit of non-conformism are central to his approach. James worked with young people to curate the programme, meaning that this very special Meltdown in line with his commitment to mobilising the next generation to become the inventors of their own culture.

Mo’Wax inspires a new generation

Both Meltdown and James Lavelle’s iconic label Mo’Wax turned 21 in 2014,  and as part of the festival, Mo’Wax21: Urban Archaeology, an interactive exhibition devised with Southbank Centre as part of the festival, celebrated the creative output of the label James launched as a teenager.

Doug Foster's installation No Beginning, No End in the Clore Ballroom, featured five cyclical artworks and UNKLE's The Heretics' Gate soundtrack. 

Belief and Beyond Belief festival panellist Canon Rosie Harper considers the topic of assisted dying
Lu Kemp, director of The Lounge discusses her research into older age for the production
Explore how new technologies are impacting our perceptions and experiences of death, with Professor Josh Cohen
Why bother saving the arts? In an era of cuts, is 'arts' a dirty word?
Marcus du Sautoy gives the science keynote, Einstein’s Theory of Special Relativity
Ben Winters from The Open University gives a talk about Erich Korngold
Stephen Johnson, discusses Soviet influence on the great Russian composers
Frederick Taylor on German history and the rise of the extreme right
What was the US doing in Hawaii? Why did the Japanese attack them there?
Carolyn Forché explores how poets have been shaped by extreme events
Comparing Hitler’s masterwork – The Triumph of the Will – and his 1937 ‘Degenerate Art’ exhibition
Slavoj Žižek at London Literature Festival 2010
Alex Ross discusses his acclaimed book The Rest Is Noise
Alex Ross on Vienna in the early 1900s

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American garage punk band Radkey performing at James Lavelle's Meltdown, Southbank Centre 2014
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The Guerrilla Girls use facts, humour and fake fur to expose discrimination

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