Master of Reality: Talks on Nelson’s Exhibition
In an afternoon of talks, speakers from architecture, literature, neuroscience and psychoanalysis unpack themes raised in Mike Nelson: Extinction Beckons.
Panel 1 is chaired by artist Babak Ghazi, joined by neuroscientist Dr Fatima Maria Felisberti and psychoanalytic psychotherapist Douglas Gill.
Panel 2 is chaired by curator Claire Louise Stanton, with writer Roger Luckhurst and architect Andrew Clancy.
Following the panels, all of the speakers come together for a discussion chaired by artist, theorist and educator Bill Balaskas.
Dr Fatima Maria Felisberti is a neuroscientist working as an associate professor at Kingston University London. Her research focuses on visual perception at the confluence of mental imagery, emotions, and empirical aesthetics. She has PhDs in Biological Cybernetics (MPI, Germany) and Neuroscience (USP, Brazil).
Douglas Gill is a visual artist, performance artist and art therapist who trained in psychoanalytic psychotherapy with The Philadelphia Association (RD Laing). He is co-founder of therapeutic arts charity Studio Upstairs, member of The SITE for Contemporary Psychoanalysis and The Association for Group and Individual Psychotherapy.
Babak Ghazi is an artist.
Roger Luckhurst is a writer and academic. He has written the Corridors: Passages of Modernity, Gothic: An Illustrated History and the BFI Classics book on The Shining, all of which display a mild obsession with labyrinths. He teaches at Birkbeck College, University of London.
Andrew Clancy is an architect. He is Professor of Architecture at the Kingston School of Art, director of Dublin-based Clancy Moore architects, and board member of the Irish Arts Council. His primary interest is in architecture's role as a gathering of multiple contingencies, and the potential for meaning to be found in their weaving.
Claire Louise Staunton is a curator, researcher and organiser. She holds a PhD from the Royal College of Art and her expanded research practice addresses the intersection between art, politics and housing development. Staunton is currently co-editing a book on Artist Placement Group, curating a project on housing associations for Three Rivers/Peabody in Bexley and lecturing at Goldsmiths College.
Bill Balaskas is an artist, theorist and educator. He is Director of Research, Business and Innovation at the School of Arts of Kingston University, London, and the Founding Director of the Centre for Practice Research in the Arts.
The day is organised in collaboration with the Centre for Practice Research in the Arts of Kingston University, London.
Mike Nelson (b. 1967, lives and works in London) creates psychologically charged and atmospheric installations that take viewers on enthralling journeys into fictional worlds that eerily echo our own.
Nelson represented Great Britain at the 54th Venice Biennale in 2011 and has shown in leading galleries around the world.
He has also been featured in numerous international exhibitions, including the 13th Biennale of Sydney, the eighth Istanbul Biennial and the 13th Lyon Biennale.
Need to know
Schedule
3pm – 3.45pm: Panel 1 – Dr Fatima Maria Felisberti (neuroscientist) and Douglas Gill (psychoanalytic psychotherapist), chaired by Babak Ghazi (artist)
3.45pm – 4pm: Break
4pm – 4.45pm: Panel 2 – Roger Luckhurst (writer) and Andrew Clancy (architect), chaired by Claire Louise Stanton (curator)
4.45pm – 5pm: Break
5pm – 5.30pm: Discussion with all speakers, chaired by Bill Balaskas (artist, theorist and educator)
5.30pm – 6.30pm: Drinks reception
Dates & times
Approximate run time: 3 hours 30 mins.
Price
- Standard entryFrom £10*
- ConcessionsStudents £5**
* Excludes £3.50 booking fee.
Book as early as you can to ensure the best choice of tickets. Ticket prices may be adjusted without notice to reflect demand.
** Limited availability. Read about concessions.
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Venue
Royal Festival Hall
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Toilets
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A Changing Places toilet is located on Level 1 Royal Festival Hall next to the JCB Glass Lift, for the exclusive use of disabled people who need personal assistance to use the toilet.
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When booking a wheelchair position in the Royal Festival Hall for large motorised wheelchairs (more than 65cm wide), please book in the rear stalls or side stalls. Boxes aren't able to accommodate larger wheelchairs due to limited space. If you have any queries, please contact [email protected] or call 020 3879 9555.
Entering the hall
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More about Access & facilities
Parking
Blue Badge holders and those with access requirements can be dropped off on the Queen Elizabeth Hall Slip Road off Belvedere Road (the road between the Royal Festival Hall and the Hayward Gallery).
There are four Blue Badge parking spaces available for visitors located on the Queen Elizabeth Hall Slip Road. Spaces are allocated on a first-come, first-served basis, and are free to use. You must display your Blue Badge as you enter the site. Vehicles that do not display a Blue Badge are refused entry.
Blue Badge parking at National Theatre
Alternative parking for Blue Badge holders visiting the Southbank Centre can be found at the National Theatre car park (330 metres). If you are visiting the Hayward Gallery, just take your badge and car park ticket to the Ticket Desk in the gallery foyer for validation before you leave.
Please note: when the National Theatre building is closed (on Sundays, and on days without performances) there is no step-free access from the car park. Please contact the National Theatre directly to check before travelling. Call 020 7452 3961 or email [email protected]
Alternative parking is available nearby at the APCOA Cornwall Road Car Park (490 metres), subject to charges.
Blue Badge parking at APCOA Cornwall Road
Alternative parking for Blue Badge holders visiting the Southbank Centre can also be found at the South Bank Car Park – APCOA Cornwall Road Car Park. Just take your badge and car park ticket to the parking attendant office at the entrance to the car park for validation before you leave.
A drop-off point at the Royal Festival Hall (30 metres) has been created for visitors who are unable to walk from alternative car parks.
Our Access Scheme
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